Lioness’ Season 2 Episode 1 Recap

Lioness’ Season 2 Episode 1 Recap

This story contains spoilers for the season 2 premiere of Special Ops: Lioness.

I won’t lie to you, reader—I’m surprised that we’re back here. Special Ops: Lioness was one of Taylor Sheridan’s most unprecedented shows, for better or worse, and the Yellowstone creator’s motivations for writing it felt murkier every episode.

The series follows three women in the CIA’s “Lioness” program, which sends female operatives undercover into dangerous criminal organizations. As you might expect, Lioness ran the usual gamut of spy-show antics in season 1. The rookie agent fell in love with the enemy, lost her way, and needed her team to help her save the day. But Special Ops: Lioness often shared just as much pessimism for the all-female CIA program it highlighted as it had for the terrorists it depicted as the show’s enemy. Essentially, Special Ops: Lioness made everyone the villain.

As I wrote during the first season, “Life in Special Ops is pure hell. This isn’t an all-Beth Dutton army with kick-ass one-liners. (Could you imagine?) Lioness is a dark portrayal of how people wield power—and the violent ends are often women getting battered, bruised, tortured, or all of the above combined. Because of that, it’s often hard to know who the audience should be cheering on in Lioness—if we should be rooting for anyone at all.”

Knowing Sheridan’s track record 0f pumping out endless amounts of television, season 2 was inevitable. I initially thought that we would move on to another “Special Ops” team in an anthology-style series, but I was wrong. There’s a new mission ahead for the Lioness crew, even though all three of the main women were heavily disillusioned by their crusade in season 1. Rookie operative Cruz Manuelos (Laysla De Oliveria) was tortured and trained to kill. Lioness head Kaitlyn Meade (Nicole Kidman) learned that their business in the Middle East had more to do with money than the threat of terrorism, and lead officer Joe (Zoe Saldaña) was forced to convince herself that every awful thing she did was just.

“Look what you made of me,” Cruz tells Joe in the season 1 finale after she murders her target, billionaire Asmar Amrohi (Bassem Youssef). Joe reminds Cruz that she just eliminated “one of the worst fucking perpetrators of violence in the past 20 years,” even if the series did very little to justify those claims. “All we changed was oil prices,” Cruz replies. I never expected anyone to come back.

Paramount

Nicole, we need you.

So, imagine my surprise when season 2 opens with the Lioness team gearing up for another mission. A Texas congresswoman is kidnapped and moved across the border into Mexico. It’s now Kaitlyn’s job to answer the call and investigate. Kaitlyn’s husband, who explained that season 1’s plot was all about oil prices in the previous finale, tells her to “take a look at Mexican exports on [her] drive over, particularly oil.” I have a growing fear that season 2 might just repeat season 1.

Kaitlyn joins up with U.S. Secretary of State Edwin Mullins (Morgan Freeman) and CIA Deputy Director Byron Westfield (Michael Kelly). They discuss the details of the case and throw wild speculations in the air about the criminals and their potential ties to Russia and China. I can only imagine that the U.S. government let Sheridan sit on a real American military strategy meeting and that he wrote down what he heard word for word.

Kaitlyn: Russia?

Mullins: It does fit their covert ops strategy, but they don’t have the leverage.

Westfield: It’s China.

Mullins: We think that’s a likely possibility.

Westfield: A U.S. military operation on Mexican soil is a political disaster. The President’s own party will turn on him. The other side of the aisle? They will destroy him. Some form of Vietnam in this hemisphere shifts our focus from the East and it drains our resources even faster than Ukraine. China is Mexico’s number one trade partner in crude oil, natural gasses, as well as gold. So, any military response to this on Mexican soil renders our opposition to a move into Taiwan as both hypocritical to NATO and the U.N.. And with Russia chair of the security council? China has free rein of a Taiwanese invasion.

Um…what?!

Let me remind everyone that we’re just ten minutes into the premiere of Lioness season 2 and all that happened is that as a Texas congresswoman was kidnapped and taken into Mexico. From that alone, the CIA deputy director has somehow convinced the Secretary of State that not only is China involved in this scheme, but that it has global implications. He reckons that this chain of events is the only natural outcome:

1. China pressures Mexico to send a cartel to kidnap a Texas congresswoman and bring her to Mexico.

2. If the U.S. performs an operation on Mexican soil, it will weaken the country’s position with NATO and the UN, because the U.S. looks like hypocrites. (If they’re against China’s invasion of Taiwan.)

3. China invades Taiwan “with little to no consequences.”

I’m certain that the world doesn’t operate on this level of 4D chess, because China doesn’t need to come up with a scheme this far-fetched just to upset the global hierarchy. Russia invaded Ukraine in 2022, and they didn’t kickstart that campaign with a political Rube Goldberg machine. Still, this is our board game for season 2. And guess what? They want the Lioness team to handle it.

“A Lioness isn’t designed to gather intel,” Joe tells the boardroom. Secretary of State Morgan Freeman loads one in the chamber spits out this response: “After you kill the guy, could you be so kind as to grab his fucking phones and his computers?” End of meeting.

lioness season 2

Paramount

Morgan Freeman returns!

So, it’s wheels up for Joe. Christmas tree decorating will have to wait. She heads to Del Rio, Texas, to meet her new team. I kid you not, they’re led by Taylor Sheridan, AKA “Cody.” He’s shirtless and brandishing heavy artillery. When they run into early trouble, Sheridan takes out three guys by himself. He even writes himself some one-liners. “You know what they say, Joe, beware the old soldier. He’s old for a reason.”

Driving through Mexico, they immediately find the men holding the congresswoman hostage and kill them. Now, all Joe and her team must do is drive her back across the border. They find themselves in a car chase involving eight to ten police cars. For some reason, they kill all of them. I thought they were supposed to save the congresswoman in an undercover mission, but now there’s a dozen dead cops in Mexico. A helicopter shows up and rescues them all.

“Now, we play offense,” Joe tells the congresswoman. “My agency doesn’t do courtrooms.” Joe, I don’t know what your agency does. At least Cruz found her way out—and hopefully stays out.


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Anthony Richardson returns as Colts beat Miami Dolphins, move to 4-3 on season

Anthony Richardson returns as Colts beat Miami Dolphins, move to 4-3 on season

After one quarter, Richardson was just 1-of-7 for 15 yards and led the team with four carries for 30 yards.

The Colts and the Dolphins traded possessions throughout the second quarter with nothing to show for it until the Dolphins connected on a 33-yard field goal to go up 10-0 with 22 seconds left in the half.

But the Colts quickly got into field goal position with a touchback and a 33-yard completion to wide receiver Michael Pittman Jr., and kicker Matt Gay sent a 52-yard kick straight through the uprights to put the Colts on the board heading into halftime.

Richardson completed four passes for 61 yards in the half and the Colts combined for 74 total rushing yards. By comparison, the Dolphins had 115 rushing yards and Huntley completed seven passes for 87 yards.


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Recap | Revs close 2024 season with 6-2 loss at Inter Miami CF

Recap | Revs close 2024 season with 6-2 loss at Inter Miami CF

FORT LAUDERDALE, Fla. (October 19, 2024) – The New England Revolution (9-21-4; 31 pts.) concluded the 2024 MLS campaign with a 6-2 loss to Inter Miami CF (22-4-8; 74 pts.) on Saturday night at Chase Stadium. The Revolution’s Luca Langoni and Dylan Borrero scored in the first half, both goals aided by Alhassan Yusuf, but Miami’s Luis Suarez answered with a brace to tie the match before halftime. In the second half, Lionel Messi came on as a substitute and lifted the hosts to victory with three goals and an assist.

Similar to the season’s first meeting with Inter Miami, New England began the night on the front foot, tallying a goal within the opening two minutes of the match. Langoni raced onto a through ball from Yusuf and capitalized on a deflection to poke home his third tally of the year only 73 seconds into the match. Langoni concludes the season with five goal contributions in his first 10 MLS appearances.

The Revolution doubled their lead in the 34th minute when Borrero tapped the ball through the legs of Inter Miami goalkeeper Drake Callender. The Colombian netted his first goal of the season in his 10th start of the year. Yusuf, who made his return to action after missing one while on international duty with Nigeria, registered his second helper of the campaign on the play. However, in the 40th minute, Suarez pulled one back for the hosts and tacked on the equalizer minutes later, leveling the proceedings at 2-2 heading into the intermission.

New England continued to press for a result in the second half, seeing two scoring opportunities from Giacomo Vrioni miss just wide of the mark. The match tilted in Miami’s favor when Lionel Messi entered in the 57th minute. With his first touch, Messi set up the go-ahead goal from Benjamin Cremaschi. Bobby Wood appeared to bring the Revs back to level terms when he poked his own deflected shot over the line, but a handling offense erased the goal.

Messi closed the scoring with three goals of his own to put the game out of reach. With the result, Inter Miami surpassed the Revolution’s 2021 regular season points total (73) to set a new MLS record with 74 points.

MATCH NOTES

  • Luca Langoni scored his third goal of the season 73 seconds into Saturday’s contest. The Argentine logged 87 minutes and a team-high four interceptions in his 10th appearance.
  • Dylan Borrero doubled the advantage in the 34th minute with his first goal of the season. Borrero recorded a team-best three chances created.
  • Alhassan Yusuf, who returned to the lineup after missing last week’s match through international duty, registered his second MLS assist in his fifth league start.
  • Yusuf, who also helped create Langoni’s opening goal, registered team highs in duels won (9) and recoveries (8).
  • Xavier Arreaga returned from international duty for his 25th Revolution start across all competitions. In a 90-minute shift, Arreaga had a team high 12 clearances.
  • Matt Polster made his 31st start of the season to tie his career high (2023). He finishes the season as the team leader in minutes played.

GAME CAPSULE
Revolution Match #34
MLS Decision Day (Matchday #38)
New England Revolution vs. Inter Miami CF

October 19, 2024 – Chase Stadium (Fort Lauderdale, Fla.)

Referee: Alexis Da Silva
Assistant Referee: Cory Richardson
Assistant Referee: Ryan Graves
Fourth Official: Mark Allatin
Video Asst. Referee: Geoff Gamble
Assistant VAR: TJ Zablocki

Weather: 80 degrees and mostly cloudy
Attendance: 21,550

Scoring Summary:
NE – Luca Langoni 3 (Unassisted) 2′
NE – Dylan Borrero 1 (Alhassan Yusuf 2) 34′
MIA – Luis Suarez 19 (Hector Martínez 1, Robert Taylor 5) 40′
MIA – Luis Suarez 20 (Yannick Bright 3) 43′
MIA – Benjamin Cremaschi 4 (Jordi Alba 13, Lionel Messi 16) 58′
MIA – Lionel Messi 18 (Luis Suarez 8) 78′
MIA – Lionel Messi 19 (Jordi Alba 14) 81′
MIA – Lionel Messi 20 (Luis Suarez 9, Leo Campana 3) 89′

New England Revolution: Aljaž Ivačič; Will Sands, Dave Romney, Xavier Arreaga, Brandon Bye; Alhassan Yusuf, Matt Polster ©; Dylan Borrero, Esmir Bajraktarević (Emmanuel Boateng 87′), Luca Langoni (Nacho Gil 87′); Giacomo Vrioni (Bobby Wood 59′).

Substitutes Not Used: Earl Edwards Jr., Andrew Farrell, Ian Harkes, Mark-Anthony Kaye, Peyton Miller, Tim Parker.

Inter Miami CF: Drake Callender ©; Jordi Alba, Tomás Avilés, Hector Martínez (Noah Allen 87′), Marcelo Weigandt (Ian Fray 89′), Julian Gressel (Lionel Messi 57′); Benjamin Cremaschi (Leo Campana 87′), Sergio Busquets; Robert Taylor (Diego Gomez 58′), Yannick Bright, Luis Suarez.

Substitutes Not Used: Cole Jensen, Sergii Kryvtsov, Franco Negri, Lawson Sunderland.

Full statistics available HERE.




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Clips’ Kawhi Leonard out indefinitely to start season while rehabbing knee

Clips’ Kawhi Leonard out indefinitely to start season while rehabbing knee

INGLEWOOD, Calif. — LA Clippers star Kawhi Leonard will be sidelined indefinitely to begin the NBA season as he rehabilitates from inflammation in his right knee, head coach Ty Lue confirmed ahead of Thursday’s game.

The Clippers and Leonard are in the midst of a rehab process for the two-time NBA Finals MVP that is aimed at bringing sustainability for him on the court through the season, and the franchise will be diligent and cautious to ensure his fitness long term.

“[There is] no timeline,” Lue said of Leonard’s timetable to return before the Clippers faced the Kings at Intuit Dome. “Like we said from day one, it is going take some time. He’s going to progress, he’s doing all the right things, he’s working hard and he’s looking good.”

Leonard, 33, has neither played during the Clippers’ entire preseason — which concludes Thursday against the Sacramento Kings — nor participated in any activity involving on-court contact during training camp.

Lue said Leonard suffered a “setback” after participating in USA Basketball camp in Las Vegas back in July.

“He felt good,” Lue, who also was an assistant coach on the gold-medal-winning USA Basketball team, said before the Clippers faced the Kings. “He looked good. The swelling was down, everything was going in the right direction. He had worked hard to get to that point, and then once you start playing, you never know what’s going to happen.

“But he was in position, we thought in the right position to go forward, and it was a setback, so that was unfortunate.”

Lue said Leonard has not suffered any new setbacks during training camp or this preseason. He said Leonard is feeling good and progressing.

In Leonard’s absence, James Harden, who said he feels more comfortable this season after having a full training camp, will be relied upon to shoulder much of the offensive load and be the team leader. He joined the franchise last year during an early-season trade from Philadelphia and had to adapt alongside Leonard, Paul George and Russell Westbrook.

With George now in Philadelphia and Westbrook in Denver, Harden will try to be a playmaker for the likes of Ivica Zubac, Norman Powell and Terance Mann.

Harden has said Leonard needs to take all the time he needs to return and be healthy for late in the season.

Leonard began to experience inflammation in his surgically repaired right knee following a win at Charlotte on March 31. He missed the final eight games of the regular season and was limited to two games in the six-game loss to Dallas in the first round of the playoffs.

Leonard and the Clippers have gone through a variety of medical treatments to control the inflammation since the end of last season. Lawrence Frank, president of basketball operations, said at the start of training camp that the inflammation had gone down significantly since last postseason but that the team wanted to get the franchise star’s knee to 100% and would take every precaution.

When asked whether he could have to deal with the inflammation coming up for the rest of his career, Leonard said that that is a possibility but that the medical staff has got a better handle on it and is trying to ensure that isn’t the case.

Leonard, who sat out the entire 2021-22 season because of a torn ACL in his right knee, has missed 179 of a possible 435 games since joining the Clippers in 2019.

He played in 52 regular-season games in 2022-23. After he tore his right meniscus during the 2023 first-round playoff series against Phoenix, Leonard played in 68 regular-season games last season — his most since the 2016-17 season — and averaged 23.7 points, 6.1 rebounds, 3.6 assists and 1.6 steals while earning his sixth All-Star nod.

The Clippers play the Phoenix Suns on Oct. 23 in the Intuit Dome’s first regular-season basketball game.




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Tell Me Lies Season 2 Ends on Cliffhanger, Creator Hopes for Season 3

Tell Me Lies Season 2 Ends on Cliffhanger, Creator Hopes for Season 3

[This story contains major spoilers from the season two finale of Tell Me Lies, “Don’t Struggle Like That, Or I Will Only Love You More.”]

After weeks of anticipation, Tell Me Lies viewers finally got some questions answered in the jaw-dropping season two finale of Meaghan Oppenheimer’s addictive Hulu series. But the epic cliffhanger only provokes more questions.

“I always like to leave people guessing,” the showrunner tells The Hollywood Reporter. “I’m always trying to surprise people.”

Meaghan Oppenheimer.

Luke Oppenheimer

For a show that thrives on toxicity, season two brought plenty of jaw-dropping moments between the cast led by Grace Van Patten and Jackson White. But the rest of the gang also had their fair share of drama, notably in the finale which saw Wrigley’s (Spencer House) younger brother Drew (Benjamin Wadsworth) die, Bree (Catherine Missal) finding out Oliver’s (Tom Ellis) in an open marriage, Diana (Alicia Crowder) orchestrating a breakup with Stephen, and Stephen bringing the ultimate revenge to Bree and Evan’s (Branden Cook) wedding in the 2015 timeline.

Oppenheimer adds that “whatever is the most interesting thing to explore is what goes in the show,” because she’s “not trying to set an example for what anyone should do and I’m not even really trying to give a strong message. I’m trying to just make people lean in and have discussions, and hopefully have things that happen on screen relate to people’s real lives.”

Below in a chat with THR, Oppenheimer opens up about why she “always knew that Drew was going to die,” the moment she knew she wanted Stephen to “blow up” the wedding (with the revenge recording where Evan confesses to cheating on Bree with Lucy), and she hints at who Bree was talking to on the phone before her wedding, among other storylines she hopes to tackle in a potential third season.

***

Why did this season only have eight episodes, compared to season one which had 10?

There were a bunch of reasons. It was scheduling. It was because I was expecting a baby and we were trying to finish the season before she was born; then the strike happened and it was all besides the point anyway. It was production reasons, not anything creative. But it was nice. I think it made everything a lot tighter. 

One of the most tragic moments in the finale was Drew’s death, especially after he just reconnected with brother Wrigley. Can you walk me through your decision on how to play that out?

I always knew that Drew was going to die, and that it was going to be something that Wrigley blamed himself for. But ultimately, the seed of it needed to be kind of Lucy’s fault. And because of that, Stephen’s fault as well. I thought he was going to die at the end of the first season, and it just didn’t end up fitting in and it didn’t make sense. And because Ben is such a lovely person and a great actor, the first few weeks of the [writers] room for season two, I really tried to think about, how could we keep his character in now that he’s been expelled? How could we keep him alive? And there just wasn’t a way. I think we needed some real, true communal guilt that could hang over the entire group in the future years. So yeah, he was the sacrificial lamb, I guess.

But I also wanted it to be something that felt almost weirdly anti-climactic. I think death in real life is often not the big dramatic moment you expect it to be. It happens in the quiet moments. And so the idea that they have this big night out and then it’s just suddenly in the morning, you slowly realize that he’s no longer alive, as opposed to some big dramatic explosive public death.

Wrigley (Spencer House), Pippa (Sonia Mena) and Lucy (Grace Van Patten) in Tell Me Lies season two.

Disney/Josh Stringer

Another huge shocker was Bree finding out Marianne (Gabriella Pession) and Oliver [who is played by Oppenheimer’s real-life husband, Tom Ellis] are in an open relationship. But when Bree confronts Marianne as she’s leaving their house and tells her that Oliver said he loved her, Marianne seems surprised. Is that hinting that something could happen with Marianne and Oliver’s relationship in the future?

Anything that happens in the future is still so undecided that I would never want to lock myself into anything. But I think it definitely hints at [how] that was probably not allowed. Marianne and Oliver have rules. The rule is that they are both in on the joke, they are the people who know everything. And I think that saying I love you is not allowed. So I do think that that really does hurt Marianne.

Also, what we were trying to show, and she cries at the end of the scene a little bit, was hinting at this bigger inner life that Marianne has that she’s probably not really OK with this situation. And that she has agreed to have this open relationship probably to keep him, not because she gets off on it as well — even though she certainly lies to herself about enjoying it.

Going back to episode six, viewers saw Bree talking on the phone with someone in the 2015 timeline before her wedding day. Can you confirm if she was talking to Oliver, or was it someone else?

I can’t confirm anything. But I would say, I think it being Oliver would be probably too obvious. I’m sure some people are guessing that. But I think a lot of people also probably know that it’s more likely not Oliver. 

Viewers also see Stephen and Lucy hook up in the 2015 timeline before Bree and Evan’s wedding. Is it safe to assume they have had something going on between them since college?

There’s definitely more that needs to happen. I would say, at least in the final semester of Lucy’s sophomore year. There is still absolutely more of that cat-and-mouse game, if you can even call it that, because that sounds so mild for what these two do to each other. But there’s more of that dynamic in her second semester of sophomore year and his final semester. In terms of what happens between them in those other years, between college and present day, definitely something. But I think the bulk of it is college. 

I felt like their hook-up also explained why Lucy was being so polite to Stephen in the 2015 timeline, given everything he’s put her through.

Yeah, and I think she’s polite because I think most people [are polite]. When I see things on TV and characters are being so blatantly nasty to people, we’re never really like that in real life. I mean, unless you’re a psychopath. I see people who have devastated me in the past and unless it’s like yesterday, I see them when I’m polite and vice versa. I think that’s what we do as people, and I think she blames herself for a lot of what happened in her college years, and has tried to grow and mature. So she tries to at least save face in front of him. 

Lydia (Natalee Linez) and Stephen (Jackson White) at Bree and Evan’s wedding in the 2015 timeline (before Stephen buzzed his hair off).

Disney/Josh Stringer

I also want to talk to you about that wild cliffhanger when Stephen sends Bree that recording on her wedding day, of Evan confessing back in college to cheating on her with Lucy. Have you been planning that since season one?

Not in season one. In season two, I definitely knew that he was going to record Evan saying this thing. Initially, I didn’t think he was going to play it at the end of the finale. I rewrote the ending of the finale very quickly, very last minute. I was on set at [Video] Village and I rewrote it, because initially it was going to be more of a cliffhanger of: Is he going to tell Bree or not at the wedding? And then I decided he’s just gotta tell her; we just have to have that blow up. The long-con is interesting, but I have a lot of Scorpios in my life and I think that there are people who definitely go in it for the long-con, and Stephen is one of them. I mean, my God, he holds a grudge. It’s the big difference between him and Leo’s [Thomas Doherty] anger. Stephen is able to control his anger and then utilize it to his advantage, and when the moment makes sense. It’s very rare that he’s explosive or impulsive. Whereas Leo, obviously we see is different than that. He’s very impulsive. 

Can viewers expect to see the ramifications of that Evan confession in a potential season three?

I think we need to see that. Poor Bree. That’s like the hashtag of the season in my mind, #PoorBree. She’s just been through it. I think she deserves some sort of reaction to this massive betrayal from everyone. 

Lucy and Stephen subvert the expectation of creating leads who are likable. Why did you decide to make them so flawed and, in Stephen’s case, veering on villainous, while also keeping the show gravitating around them?

Stephen, definitely, is pretty villainous even though he’s also the male lead. It’s funny, I never worried too much about whether a character is likable, as long as there’s someone I want to watch and they’re interesting. That’s what I care about. And to me, it’s actually really surprised me how unlikable people think Lucy is. I mean, I got into a fight with my mom about it the other day. My mom was like, “Lucy’s a bitch.” I was like, “Mom, Lucy is a good person and she’s just had a lot of shit thrown at her.” I like Lucy. I think she’s great. I think she’s very flawed. I think she is very young and immature, but she came into college from a place of trauma that was unresolved and not dealt with. And then she met this master manipulator who made everything worse. And I was really trying to show the way that good people and strong people and intelligent people can fall victim to predators.

We see these women, usually women characters on TV, who act pathetic or messy because of a man, and we like to assume that that means there must be something inherently wrong with them. And I just don’t think it’s true. I think if you look at real life, some of the strongest women I know have behaved very out of character because of their feelings being hurt, or because of falling in with the wrong people. 

You told me before season two debuted that if anything gets you canceled, it would be Lucy saying she was the one assaulted rather than Pippa in episode seven. You also noted that it was very divisive in the writers room. Why was it important for you to include that this season?

I just felt that was an action that is arguably one of the worst things a woman can do, lie about sexual assault. I was just very intrigued by the idea of, how do we have her do something that is so nasty and icky and universally despised, but for the right reasons? There was a part of me that is saying like “fuck you” to all of society with that, because people don’t believe women and people don’t protect women. And Pippa is in this situation and no one is helping her, and she has no options really, because society is set up in a way that doesn’t help her. So it was sort of a “fuck you” to everyone in the sense of, “OK, you’re not supposed to do this, but no one is helping these girls.” So she’s gonna do the most desperate thing possible, and she’s coming from a place of real helplessness because the system has failed her. It’s failed her friend, it’s failed her classmate. And anything that makes our writers in the room argue with each other, I always lean into those things. 

There are still a lot of missing pieces to the Tell Me Lies puzzle. Do you know yet if you’ll be getting a season three? Also, was it intentional to still leave people guessing?

I don’t know if we’ll get a season three, who knows? I think the show has had a really wonderful response this season, so I’m very hopeful about a season three. I always like to leave people guessing. And I also think some of my favorite shows, even when they end, leave things not completely resolved. I don’t hate those stories that have open endings. So I was sort of of the mind of, let’s have a cliffhanger so that people want to come back and, if we don’t get to answer it, then that’s life (laughs). I’m always trying to surprise people. I’m always trying to surprise the audience, because it’s just very fun to do. 

***

Tell Me Lies season two is currently streaming on Hulu. Catch up on THR‘s season two interviews with Grace Van Patten, co-stars Sonia Mena and Alicia Crowder, and star Cat Missal, along with Van Patten and Jackson White digging into the season two ending.


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‘Tell Me Lies’ Season 3: When Will the Hulu Series Come Out?

‘Tell Me Lies’ Season 3: When Will the Hulu Series Come Out?

The emotional rollercoaster that was Tell Me Lies season 2 ended on October 16, 2024, and fans are already clamoring for more episodes. Based on Carola Lovering’s novel of the same name, the Hulu drama follows the toxic on-again, off-again relationship between Lucy Albright (Grace Van Patten) and Stephen DeMarco (Jackson White), who met as students during Lucy’s freshman year at the fictional Baird College. As the years go on, their relationship devolves into a mess, as they occasionally cheat on their respective partners with each other.

Season 2 concluded with a wild, explosive finale that promises season 3 will deal with the fallout of a decade-long revenge plot. Below, read on for everything we know about the future of Tell Me Lies so far.

Stephen (Jackson White) and Lucy (Grace Van Patten) have a talk on the Baird College quad in Tell Me Lies season 2.

(Image credit: Disney/Josh Stringer)

Has ‘Tell Me Lies’ been renewed for season 3?


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‘Shrinking’ Season 2 Review: A Shapeless Hangout

‘Shrinking’ Season 2 Review: A Shapeless Hangout

The Apple TV+ dramedy “Shrinking” is — or at least, was — about a therapist, Jimmy Laird (Jason Segel), throwing professional ethics out the window in the wake of his wife’s tragic death. Whatever one thought of how the show portrayed therapy, and plenty were appalled by the idea that doctor-patient boundaries are more annoying inconvenience than ironclad principle, Season 1 of “Shrinking” at least had a hook-y premise to structure its broader study of grief. Season 2, which premieres this week after a 19-month hiatus due to last year’s strikes, backs away from this basic foundation, leaving a story that’s just as tonally muddled but even less focused.

To the show’s not-really-defense, it’s never taken a strong stance on Jimmy’s new approach, which followed a year of catatonia, debauchery and pawning his teenage daughter Alice (Lukita Maxwell) off on their neighbor Liz (Christa Miller) to surrogate parent. When the Season 2 premiere sees Jimmy’s boss and mentor Paul (a curmudgeonly Harrison Ford) demand his protegé stop treating Sean (Luke Tennie), the veteran with anger issues crashing on Jimmy’s couch, it’s unclear why he’s putting his foot down now rather than at any earlier juncture. But on “Shrinking” — a team-up of Segel and “Ted Lasso” collaborators Bill Lawrence and Brett Goldstein — Jimmy’s antics are neither a new turn in the widower’s downward spiral nor a brilliant innovation his peers could stand to learn from, however problematic such an angle might be. They’re just a setup for a handful of vaguely comic situations, like Jimmy crashing a patient’s date. Having taken a minimal interest in the practice of therapy to begin with, “Shrinking” already finds itself distracted.

In Season 2, Jimmy gives his technique a name (“Jimmy-ing”), but seems to do less of it than ever. With Sean off his docket, a natural new focus would be Grace (Heidi Gardner of “SNL”), a woman who snapped in the Season 1 finale and pushed her abusive husband off a cliff, inspired by Jimmy’s unfiltered advice. This outcome is a logical prompt for Jimmy to do some serious introspection. That never arrives, subjecting poor, jailbound Grace to a wildly oscillating spectrum of stakes. Jimmy’s other patients don’t appear until past the season’s halfway mark; he takes on no new ones. Sean sticks around, but his relationship with Jimmy and Paul bears increasingly little resemblance to any kind of therapy, traditional or not. He’s just another participant in a shaggy hangout, one oversharing friend among many.

Jimmy’s colleagues are similarly disengaged. Paul pushes his longtime charge Raymond (Neil Flynn) out of the nest, leaving him to focus on his Parkinson’s prognosis and budding romance with neurologist Julie (Wendie Malick). Gaby (Jessica Williams), Jimmy’s coworker, close friend and sometime fuck buddy, has largely turned her attention to teaching a college class, as well as some family strife that’s abruptly introduced. Along with Miller, Williams gives one of the few performances that seems to understand “Shrinking” is a sitcom at its core, but she remains marooned on a more enjoyable show.

This pivot begs the question: If “Shrinking” isn’t about therapy, what is it about? The long tail of mourning continues to loom large, with Goldstein casting himself as a character with an important part to play in Jimmy and Alice processing their trauma. The specific role is considered a spoiler, though the performance contains ample opportunities for Goldstein to look pained while on the verge of tears. Perhaps the writer and performer wanted to show off his dramatic range. The arc is nonetheless an overcorrection from the comic ire of “Ted Lasso’s” Roy Kent.

But for the most part, “Shrinking” sans shrink-ing is a shapeless, listless mess. The show takes place in a version of Pasadena, the affluent Los Angeles suburb, that seems to be the size of a snow globe, or maybe Stars Hollow with palm trees. Characters constantly collide at random, like when Sean’s semi-estranged father stumbles on the food truck he’s started with Liz. The Sean-Liz partnership is one of many random-seeming relationships among the ensemble, an undifferentiated mass where everyone seems equally, unconvincingly close to everyone else.

Jimmy’s lack of boundaries may no longer be as relevant to his professional life, but it’s still felt in the series’ structure, or lack thereof. Storylines feel increasingly atomized: Jimmy’s friend Brian (Michael Urie) considers having a baby; Gaby counsels her students; Liz, now an empty nester, casts about for a purpose. Performances, too, are discordant; Segel and Urie in particular go so big they drown out more subtle deadpans, like Ford’s, or dramatic work, like Maxwell’s. Platonic chemistry alone can’t provide enough glue to cobble these mismatched parts together. “Shrinking” is supposed to be about the work of healing wounds, but in Season 2, it’s broken into more pieces than when it began.

The first two episodes of “Shrinking” are now available to stream on Apple TV+, with remaining episodes airing weekly on Wednesdays.


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ASU football coach talks cancer battle during previous season

ASU football coach talks cancer battle during previous season

MONTGOMERY, Ala. (WSFA) – Alabama State University football defensive coordinator Ryan Lewis Sr. has a lot to be grateful for during the 2024 season, as it’s his first one being cancer-free.

Lewis was diagnosed with jaw cancer ahead of the 2023 football season.

“I thought it was a joke,” Lewis said. “I thought maybe it was a misdiagnosis.”

The football coach leaned into his faith and continued coaching the Hornets’ defense despite doctors telling him that he would miss the first game against Southern University.

“I used my skills that I learned in football, which is sudden change,” said Lewis. “You can’t allow things that happen bad to affect the next day.”

Lewis’ prayers were answered. He returned to Alabama State ready to coach ahead of the season, saying the support from family, friends and the university kept him going.

The defensive coordinator described his victory over cancer as like getting a “second life.”

Lewis uses his cancer journey as a way to inspire his players to keep showing up.

“Life is so precious. When you get to a point where you’re dealing with life and death, man, football is just the icing on the cake,” he said.

Lewis had to have reconstructive surgery on his jaw following his cancer battle.

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WNBA announces move to best-of-7 Finals starting next season

WNBA announces move to best-of-7 Finals starting next season

NEW YORK — The WNBA will move to a best-of-seven series for the WNBA Finals starting next season, commissioner Cathy Engelbert said Thursday.

In her address to the media before Game 1 of the Finals between the New York Liberty and the Minnesota Lynx, Engelbert also said the league will go to a 1-1-1 format for the best-of-three first round, giving all playoff teams at least one home game.

In addition, the regular season will expand from 40 to 44 games.

The WNBA has had a best-of-five format for the Finals since 2005. From 1998 through 2004, it was a best-of-three series. The championship in the inaugural WNBA season in 1997 was decided in a single-game format.

The best-of-seven series will have a 2-2-1-1-1 structure in which the higher seed would host Games 1, 2, 5 and 7, and its opponent would host Games 3, 4 and 6.

“This will give our fans a championship-series format they are accustomed to seeing in other sports,” Engelbert said.

The WNBA semifinals will continue to be a best-of-five format.

The first round has changed over the years. Its most recent setup featured the first two games of a best-of-three series played at the home of the higher seed, and a possible third game at the home of the lower seed. But that format didn’t guarantee at least one home game for every playoff team, which the 1-1-1 scenario will do.

Engelbert said the WNBA’s move to charter flights for all games starting this season will help with the playoff format changes.

She also announced that the expansion draft for the league’s 13th team, the Golden State Valkyries, will be Nov. 17 at 5 p.m. on ESPN. It was also confirmed that the Valkyries will pick fifth in every round of the standard draft in April. The Valkyries, who announced new coach Natalie Nakase earlier Thursday, begin play next season.

The WNBA’s regular season moved to 40 games in 2023. Adding four more regular-season games and the potential of longer playoffs means the league is likely to go later into October to finish its season, which generally starts in mid-May.

The league also must plan around international events — the Summer Olympics and the FIBA Women’s Basketball World Cup — every other year. Neither event is held next season, so Engelbert said it was the perfect time to launch the playoff changes, which have been discussed the past few years.

“It’s a constant balancing of the schedule,” Engelbert said. “The league’s growth and increased demand for WNBA basketball made this the ideal time … to provide fans more opportunities to see the best players in the world compete at the highest level.”

The WNBA has two more expansion teams that will begin play in 2026: Toronto and Portland. Engelbert reiterated Thursday the league expects to add one more team no later than 2028. Sixteen teams would match the most the WNBA has had in its history.

With a celebrated draft class this season led by WNBA Rookie of the Year Caitlin Clark of the Indiana Fever and Angel Reese of the Chicago Sky, the league has received larger viewership and media coverage. But that has also come with some challenges, including an uptick of negative remarks on social media.

Last month, Engelbert was criticized by some players and the players’ association for remarks she made on CNBC that they felt didn’t properly address the specific racist, misogynistic and anti-gay tone of some dialogue around the WNBA. Engelbert then wrote a letter apologizing to the players, and Thursday, she reiterated the league’s commitment to protecting players as much as possible.

“The hateful speech and threats directed at our players are troubling,” Engelbert said. “That type of conduct is not representative of the WNBA’s character or fan base. As a league, we stand united in condemning racism and all forms of hate. The WNBA is one of the most inclusive and diverse professional sports leagues in the world. And we will continue to champion those values.”

Asked what specifically the WNBA could do regarding social media, Engelbert said the league would continue to work with the players’ association.

“We’re going to approach this multidimensionally,” she said. “Utilizing technology, prioritizing mental health, reinforcing physical security and increasing monitoring. We know there’s more work to be done, and as a league we are fully committed to listening to the players and other stakeholders.

“There’s no place in sports for this. I think we have been meeting with some technology providers. … There are some technology solutions we could deploy. We have to continue to be a voice against this, condemning it. And find every opportunity to support our players, who have been dealing with this for much longer than this year.”


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‘Abbott Elementary’ Recap: Season 4, Episode 1

‘Abbott Elementary’ Recap: Season 4, Episode 1

Photo: Gilles Mingasson/Disney

Summer is firmly over, and few things ring in the transition into autumn like new episodes of Abbott Elementary. Coming off a strike-impacted third season that coincided with more buzz than ever surrounding the show, Abbott gifts us a solid premiere episode, signifying how ready the cast and crew are for the new season. The show is no longer television’s Rookie of the Year; Abbott is now established in the industry, and with a whopping 22-episode season, the writers and actors have room to breathe and really flesh out story lines in true sitcom fashion. We’re even getting a crossover with It’s Always Sunny in Philadelphia, so it’s safe to say real television is back, baby.

Not much has changed in the halls of Abbott Elementary: Jacob still hates Mr. Morton, Ava avoids work at all costs (she declares that action is her least favorite thing to take), the teachers remind the kids how much better they are than New Jersey, and Janine shares stolen glances with Gregory over their students’ heads. However, these stolen glances are no longer of the will-they, won’t-they variety. Following last season’s finale, which culminated in a Janine-and-Gregory kiss, the pair have moved forward with their connection and are testing the waters romantically. Here is an example of the delicate yet exciting place Abbott finds itself in four seasons in; the choices made now will determine if it makes it through the gauntlet to legacy-sitcom status. I’m particularly interested in how Janine and Gregory move forward since fan reception to romantic relationships can be particularly precarious depending on which way the wind blows. Some fans were already sick of the will-they, won’t-they tension after a mere two seasons, while others, like myself, reveled in the tension. Now, we get to find out if this relationship is in it for the long haul, like The Office’s Jim and Pam, or merely a blip, like Parks and Recreation’s Ann and Andy. Or could this be a classic breakup-to-make-up situation, like New Girl’s Jess and Nick? There are many possible avenues, and watching it unfold in real time is what makes television so entertaining.

For now, we have no idea what Janine and Gregory’s future holds, which is perfectly fine because we get to have fun living in the moment of the early days of their romance. We get cute moments that play on their idiosyncracies, like Janine telling Gregory she would never take him somewhere without buttered noodles and Gregory uncharacteristically wearing Janine’s lipstick kiss on his cheek. They’re adorable as they try to play coy at work despite everyone already knowing the advancement in their relationship, with Ava considering the sneaking around an affront to their intelligence. Their co-workers have no problem humoring them, but once the students start to pick up on the vibes, Ava puts pressure on them to go public so she won’t get in trouble by bringing an HR representative (Warren, one of Janine’s opps from the district) to the school in hopes of forcing their hand. True to their personalities, Janine advocates for keeping things under wraps, while Gregory wants to come clean, noting there’s nothing professionally wrong with what they’re doing as long as they’re honest about it.

After Janine awkwardly avoids a conversation with Warren, Gregory begins to worry that she has cold feet regarding her feelings. Jacob assures him that Janine is deeply in “like” with him, so he shouldn’t have anything to worry about. So when Janine realizes she forgot her presentation for the back-to-school staff meeting (which is very important as she’s pitching a field trip to the aquarium, and “if the kids don’t go to the aquarium, they fail the SATs”), Gregory plays the perfect boyfriend and runs to her apartment to retrieve it during his free period. He barely makes it back in time before bursting into the meeting right as Janine runs out of stalling time and handing her back her keys. The staff starts grilling them with questions about their evident closeness, including coming to and from work together with their overnight duffel bags in tow, until they break under pressure — the pressure being Mr. Morton’s accusation that the duffel bags were being used to sell drugs. Janine blurts out that they’re having sex, officially letting the cat out of the bag.

Janine immediately tries to stuff the cat back in the bag, causing Gregory to initiate an honest conversation about why she wants to keep things private. She admits that she’s fearful because it wasn’t successful the last time she made something official (I can’t wait for Tariq’s first cameo of the season), and she really wants things to work out this time. Gregory pulls Janine into his arms, soothing her anxiety by reminding her that this time is different. They decide to come clean with HR, this time leaving out the sex portion, thankfully. Gregory and Janine finally sit down with Warren and Ava to spill the details of their coupling. Janine treats it like a therapy session, omitting anything about sex but oversharing to the point where she tries to bring the conversation to when she hit puberty in 11th grade, prompting a fantastic Tyler James Williams deadpan. Warren stops her there, saying all he needs to know is their current relationship status. For the first time, Janine and Gregory publicly declare that they are boyfriend and girlfriend. With everything on the table, Warren makes a record of the relationship, giving a backhanded blessing (I love this rivalry) and allowing them to move forward with the romance.

While Janine and Gregory formalize their relationship, the staff deals with the repercussions of a PGA golf course currently under construction a few blocks from Abbott, the first sign of which being a new white student that Ava mistakes for a Victorian-era ghost at the West Philly school. Apart from the influx of white people in the neighborhood eager to live near the course, the siphoning of resources that are necessary to build such a project immediately affects the school. A water pipe bursts, traffic is unbearable, the power is faulty, and the gas shuts off as construction ensues. Ava deflects complaints, claiming there’s nothing she can do since it’s a city-backed project.

When a student’s tooth falls out while they’re trying to chew a frozen chicken nugget since the cafeteria couldn’t heat them without gas, Melissa puts her connections to use to try and improve conditions. Her construction-worker cousin, Tommy, tells her that the golf course is cutting corners by using nonunion workers. She proposes to tattle to the city or have her cousin kill all their pets. Obviously, they choose the former. With word of Abbott’s discontent rumbling, an attorney representing the golf course makes an appearance at the school. He apologizes with the timbre of a politician, persuading them of the value the golf course will add before giving out gift cards, ergonomic chairs, and new computers. Then he promises that the workers will be unionized by the following week. I know when something feels too good to be true, and it seems as though Abbott has introduced a new villain.

• I love this “Jacob can’t read” conspiracy theory. I hope it becomes a running gag along with his hatred for Morton. Speaking of: Watching him take the beef to HR was hilarious, but Mr. Johnson accusing Melissa of flirting via lunch takeout menus takes the cake.

• I’m very biased, as I live next to one, but I’m happy Abbott Elementary is shedding light on how golf courses use an inordinate amount of resources.

• Finally, here are my favorite lines of the episode:

Ava on Janine and Gregory: “We know what two people look like when they’re hunching hard.” I never thought I would hear hunching on network TV, so thank you, Janelle James, for that amazing delivery.

Mr. Johnson after Janine admits that she’s having sex with Gregory — not that she’s a drug dealer: “This is even worse than I thought. What people won’t do for money.”

Barbara, squaring up to the golf-course lawyer: “Your little construction project has put quite a strain on our lives. We got a white child now. You wanna get his parents involved?”

Ava when Warren says she can’t sell jewelry the students make on Etsy because of child-labor laws: “Is it really work if they love what they do?”


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